Hi! I’m OSZILLiNA, Synthesizer Artist and creative mind of the soundart duo .LiMA based in Vienna (AT).
With my Hardware Synthesizers I translate feelings, thoughts and poems into music. For years, I’ve been inspiring a constantly growing global audience on Social Media with my ‘Art of Lyrical Synthesis’.
■ About my work
I create elegiac experimental electronic music exlusively with my many iconic polyphonic Synths in our .LiMA studio 4rea52. My subtle compositions are immersive and complex soundscapes with emotional melodies made for people with high artistic and musical expectations who possess the tranquility to engage in closer listening.
My music is a journey, not bound by temporal dimensions or specific genres. It can be a short trip or a 20-minute flight to the the universe that gently emerges, evolves, intensifies and then softly fades away like a breeze rustling through trees. Like a painter with colors, I paint with sounds to travel through time and space.
I always want my machines to breathe, transcending humanity as sentient beings in all their beautiful imperfection. Unpredictable and unique, just like life itself. That’s why I love to create my musik live and in real time without a computer – I want to capture this singular moment that will never be again.
With .LiMA we – me and my husband – also set poems into music, compose music for experimental films and theatre such as the score for the dystopian NESTROY Award-nominated theatre play ANSTOSS.
Debut Solo Album “The Human Element” out now!
I released in January 2026 my debut solo Album “The Human Element”: Seven emotional, elegiac, atmospheric, polyphonic Ambient soundart compositions that I created and recorded in real-time on my hardware synths from Polyevolver, Andromeda A6 and Waldorf Iridium to Deckard’s Dream without a PC.
My album will be available on Bandcamp from 16 January 2026 and can be previewed on all streaming plattforms from Spotify to Qobuz.
Oszillina | Studio Work
Live synth sessions at “4rea52“
.LiMA | Live Concert
Live at TheaterArche, Vienna (AT)
Live at Synthfest France
.LiMA | Social Media
.LiMA | Bandcamp
.LiMA | Soundcloud
.LiMA | PRESS
.LiMA Media information: https://www.limasoundart.com/about-us/
Oszillina Feature in SynMag – Das Synthesizer Magazin #102
Docu Film about .LiMA
Interview with AMAZONA.DE
Voices
“L i M A sind aus meiner Sicht ein Glücksfall für die Synthszene. Die Symbiose aus rational-mathematischer Konstruktion und offenkundig synästhetisch geprägter Intuition gepaart mit ihren apparativen Fähigkeiten und dem perfekt dafür geeigneten Equipment ist ziemlich einzigartig in dieser Kombination. Es ermöglicht ihnen aus dieser Reibung heraus, ein tolles individuelles musikalisches Profil zu entwickeln, das sich weit weg vom sogenannten Mainstream bewegt. Wirklich interessant ist für mich der Ansatz, mathematische Proportionen, die ganz klaren Regeln folgen, in Reaktor akustisch zu realisieren und sie mit der emotionalen, intuitiven und improvisatorischen Kreativität plus den instrumentalen Skills Linas zu verknüpfen. Super ambitioniert, erschließt sich vielleicht nicht jedem allein übers Hören sofort, funktioniert aber am besten im Kontext mit Lyrik oder Theater, das sozusagen als Katalysator dient. Gesamtkunstwerk in Sicht. Wirklich schön, dass es solche Künstlerpaare gibt, die weitaus mehr wollen, als nur leicht vermittelbar Kost abzuliefern. Sie entwickeln eine eigene musikalische Sprache und das brauchen wir vielleicht mehr als je zuvor in der zu oft mediengeschwängerten Mainstreamzeit. Time will tell – die Gemeinde für solche Kunst wächst gerade wieder.“
– Prof. Dr. Christopher Micklisch
Leiter der Medienmusikpraxis Universität Oldenburg
[ E N G L I S H ]
“In my view, L i M A are a stroke of luck for the synth scene. The symbiosis of rational-mathematical construction and an obviously synesthetically informed intuition, coupled with their technical proficiency and the perfectly suited equipment, makes this combination quite unique. This friction allows them to develop a magnificent and individual musical profile that moves far away from the so-called mainstream.
What I find truly interesting is their approach to acoustically realizing mathematical proportions that follow very clear rules within Reaktor, and connecting them with the emotional, intuitive, and improvisational creativity, plus Lina’s instrumental skills. It is highly ambitious and might not be immediately accessible to everyone just by listening, but it works best in the context of poetry or theatre, which serves as a kind of catalyst. A Gesamtkunstwerk (total work of art) is on the horizon.
It is genuinely wonderful that there are artist duos like this who aspire to deliver much more than just easily digestible content. They are developing their own musical language, and perhaps we need that now more than ever in this often media-saturated mainstream era. Time will tell – the community for this kind of art is currently growing again.”
– Prof. Dr. Christopher Micklisch
Head of Media Music Practice, University of Oldenburg
